
After enduring many decades of embarrassment and discomfort, the artist finally admits that possessing the most common name in the English-speaking world has had a profound impact on his sense of self. Combining fragments of autobiography with interjections concerning confidence, self-doubt and the state of the world, BEING JOHN SMITH takes us on a confessional journey that addresses universal dilemmas as well as personal ones, revealing just how important a name can be.
What does it mean to become someone – especially someone with an enormous impact on experimental cinema – when your birth name is synonymous with the idea of “ordinary,” “banal,” “lacking distinctive features”? Mixing his unmistakable dry wit with a series of profound reflections, John Smith creates a film about identity and memory (memorability) as much as he “writes” a personal autobiography extracted from various archival materials, only to juxtapose it with Being John Malkovich and other famous cinematic [auto]biographies. At the same time, Smith reflects on his own work – particularly the seminal The Girl Chewing Gum, from 1976 – , on pop and political culture (the genocide in Gaza), and on the transformations undergone by the moving image throughout his life. (Flavia Dima)

John Smith studied film at the Royal College of Art. Inspired in his formative years by conceptual art and structural film, he also became fascinated by the immersive power of narrative and the spoken word, forming the foundation for the diverse body of work that he has developed over the past five decades. Often rooted in everyday life and personal experience, Smith’s genre-defying films playfully explore and expose the language of cinema. John Smith has made over 60 film, video and installation works that have been shown in independent cinemas, museums and art galleries around the world. Selected films include Citadel (2020) Steve Hates Fish (2015), White Hole (2014), Dad’s Stick (2012), Hotel Diaries (2001-7), Blight (1996), Slow Glass (1988-91), The Black Tower (1985-7), Om (1986) and The Girl Chewing Gum (1976).