
What was intended as a film about tourism, sunsets and war, quickly turns into a puzzle with its pieces tangled between ancient philosophy and a strong desire to see the future. An emotional film where first-person narration transcends the absurdity of the journey it narrates to explore the defeat of empathy. The dissonant soundtrack highlights the warmth in the details of the narrator’s journey.
Basim Magdy traces his latest essay film along the vast abyss of global capitalism – as well as along its trademark industrial spaces, liminal and impersonal at the same time: ports, warehouses, highways, juxtaposed with 16mm yellow-tinted segments shot in the heart of nature. In this abyss the artist finds the right space to weave a contemplative essay about time and contemporary spectacles – tourist and military spectacles, and those of related industries –, which he illustrates sonically with an abstract, dreamlike soundtrack. A poignant meditation, sometimes funny, other times bitter, about the nature of this decade of disasters, from the pandemic to ongoing wars, a decade that stubbornly repeats the mistakes of the past – all haunted by a bright future that never came to be. (Flavia Dima)

Basim Magdy is an artist and filmmaker born in Assiut, Egypt. His work has appeared in solo and group exhibitions at museums and institutions all around the world. His films are in museum collections including the Museum of Modern Art New York, Centre Pompidou, Paris, the Solomon R. Guggenheim Museum, New York, Fondation Louis Vuitton, Paris, France FRAC Ile-de-France (le Plateau), Paris, MAXXI – Museo nazionale delle arti del XXI secolo, Rom, Sharjah Art Foundation, Sharja, Arter, Istanbul and Mathaf, Museum of Modern Arab Art, Doha among others.