512×512

Arthur Chopin
France
21’ 11"

An Internet user enters the mental space of an artificial intelligence in search of Francine Descartes, the daughter of René Descartes. This intelligence produces an infinite number of images from a sequence of words ordered by men, until it functions on its own, without human intervention.

Inspired by a fantastic tale about René Descartes’ attempt to build an automaton in the likeness of his deceased young daughter, Arthur Chopin’s video essay delves into the underbelly of text-to-image programs to investigate the biases inherent to AI image production, as well as the potential implications it might have on the future creation and circulation of images. Thought provoking and deeply unsettling, 512 x 512 confronts the spectators with an uncanny collection of AI generated portraits that paint a nightmarish vision of the human figure composed by an amalgamation of pre-existent (porno)graphic imagery that range from generic nudity to deeply disturbing depictions of disfigured or massacred bodies.  If AI is set to encompass the entire memory of the world,  what do the images it produces reveal about humanity’s collective subconscious and its hidden pulsations?

Screening date and location

September 27th, 9:00 PM, Cinemateca Eforie

Tickets

Awards & Festivals

Arthur Chopin

After studying cinema at Paris 1 University, Arthur Chopin entered the directing department of La Fémis (David Lynch promotion, 2025).

  • Technical sheet
  • Production and distribution
  • Script: Arthur Chopin & Léonie Hoff
  • Director of photography: Hugo Dhalluin
  • Sound engineering: Emilien Pichon
  • Image editing: Daria Obukhova
  • Sound editing: Emilien Pichon
  • Sound Mix: Yvan Buttot-Gallot-Lavallée
  • Produced by: La Fémis
  • Producer: Joris Mezouar

Screens

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Deniz Şimşek | Duration 18'

A 4000-year-old aquatic monster now lives through the tales of the few. Its myth dates back to the ancestors of Armenians and Kurds around Lake Van, a region that witnessed the ethnic cleansing of both peoples. On the crossroads of mythological, political and personal realms, different forms of erasure are concealed. Old gods are upset with us, and I am upset with my father.

512×512

Arthur Chopin | Duration 21’ 11"

An Internet user enters the mental space of an artificial intelligence in search of Francine Descartes, the daughter of René Descartes. This intelligence produces an infinite number of images from a sequence of words ordered by men, until it functions on its own, without human intervention.

Dull Spots of Greenish Colours

Sasha Svirsky | Duration 10’ 32"

War for our attention has suddenly become an actual war. Information technologies appear not just as mere means for somebody’s ends but as one of the acting forces. We have no control over it and are doomed to scroll through the newsfeed.

The Night of the Minotaur

Juliana Zuluaga Montoya | Duration 10’ 42"

The Night of the Minotaur uses archival material to build the story of Luz Emilia García, the precursor of porn cinema in Colombia.

Coldness

Andrea Sánchez | Duration 14’

The screams and anguishes of a B horror film shot in the late 80s sneak through the streets of Andorra, creating a crack between the present and the past of cinema in the country. The Specter of Justine, a cursed film that never saw the light of day... until now stirs the city.

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