Loving in Between

Jyoti Mistry
Austria / South Africa
18’

Between birth and death is the power to love and live. Political rules, religious orders, social norms and cultural taboos control who we love and how we love. The right to love is controlled and regulated by how we live. But the erotic has the power to emancipate. With spoken word and archive sources, love is unboxed from categories, in queer expression and a celebration of eros. 

If in Cause of Death (2020) Jyotri Mistri explored female corporeality (and violence against the female body) through archival footage, often drawing on medical imagery, in Loving in Between, the South African auteur continues her explorations in a radically different tone: playful, cheeky, flirting with surrealist animated inserts that swoop over the footage like a Hitchcockian flock of birds. Mistri undertakes a satirical interrogation of gender roles and white racial identity, fully exploiting the humorous and subversive potential of a “heavy” subject like love — and the appetizers include everything from sunbathing bodies or sex in public spaces to the small indulgences of private space. (Flavia Dima)

Screening date and location

September 28th, 9:00 PM, Cinemateca Eforie

Tickets

Awards & Festivals

Jyoti Mistry

Born in Durban, South Africa, Jyotri Mistri works with film as an interplay between cinematic traditions and installation art. Her films have screened at festivals including Toronto, Winterthur, Rotterdam and Durban and in exhibitions at Kunsthaus Zürich, Museum der Moderne Salzburg and Kunsthalle Wien. She has been artist in residence at the Netherlands Film Academy in Amsterdam and the California College of the Arts in San Francisco and was a member of the International Short Film Jury at the 68th Berlinale. She is currently professor for film at the University of Gothenburg.



  • Technical sheet
  • Production and distribution
  • Spoken Word: Napo Masheane, Kgafela oa Magogodi
  • Director: Jyoti Mistry
  • Idea/Concept: Jyoti Mistry
  • Script: Jyoti Mistry
  • Composer: Nishlyn Ramanna
  • Editing: Nikki Comninos
  • Sound Design: Peter Cornell
  • Animation: The Kinetic None, Stephen Galloway, Jano Booysen
  • contributor script: Napo Masheane, Kgafela oa Magogodi
  • Colour Correction: Alex May
  • Produced by: Süd Nord Film, Blackboard Trust None
  • Executive Producer: Florian Schattauer

Screens

Picture Perfect

All films →

BLUE

Violena Ampudia | Duration 17'

BLUE is the result of a collaborative process with women who have experienced postpartum depression. Director Violena Ampudia organizes a cyanotype workshop for these mothers to create their own images that illustrate their condition: their fears, dreams and experiences, all expressed through different shades of blue.

Razeh-del

Maryam Tafakory | Duration 27’47”

In 1998, two schoolgirls sent a letter to Iran's first-ever women’s newspaper. While they waited to be published, they considered making an impossible film.

getty abortions

Franzis Kabisch | Duration 21’ 45”

What do abortions look like? What kind of images shape our view on them? And where do these images come from? In the form of a desktop essay, getty abortions examines how German and Austrian media illustrate the topic of abortion, browsing through stock photos, teen magazines and documents of a real abortion experience, while also jumping back from the early 2000s to the late 19th century, in search of feminist knowledge.

Loving in Between

Jyoti Mistry | Duration 18’

Between birth and death is the power to love and live. Political rules, religious orders, social norms and cultural taboos control who we love and how we love. The right to love is controlled and regulated by how we live. But the erotic has the power to emancipate. With spoken word and archive sources, love is unboxed from categories, in queer expression and a celebration of eros.

The Sunset Special 2

Nicolas Gebbe | Duration 18’ 52”

This exclusive luxury cruise presents itself as the perfect holiday and family utopia. However, all artificial facades of this attractive consumer product dissolve, as a psychedelic dream world unfolds, illusions break and the crude reality beyond superficial comfort is unveiled.

Meniu