
SUDESHA (1983) takes its name from its central figure, a female activist involved in the Chipko movement, India’s major ecofeminist protests at the foot of the Himalayas. The vibrancy of a first use of color is matched only by the fury felt by these women against deforestation, as well as against traditional roles. The happiest day of her life, a woman recalls, was when they arrested her and she no longer had to cook or wash dishes.