Using the streets of his Berlin neighborhood as a backdrop, a filmmaker born in Belarus investigates the systematic nature of Russian and Belarusian war crimes in Ukraine and explores his own responsibility for this war.
Continuing the explorations that began with Handbook (2022), in which he reconstructed the political violence in his native Belarus through eyewitness accounts, Pavel Mohzar turns his conceptual apparatus towards the invasion of Ukraine, channeling his own horror at his homeland’s complicity into a meticulous study of the systematic war crimes committed by the occupying forces. What is striking about Unwanted Kinship is not only its self-reflexive structure but also the suggestive power of these iconic images, which point to a much starker ‘third image’ that the viewers construct based on these miniature sets and the off-screen narration – thus interrogating the oft violent and explicit means of war imagery. (Flavia Dima)
Born in Minsk, Belarus, Pavel Mozhar grew up in and around Berlin from the age of ten. From 2009 to 2012, he studied philosophy and economics at the University of Bayreuth. In 2015, he took up a film directing degree with a focus on documentary at the Film University Babelsberg Konrad Wolf. His short documentary Handbook, about the protests in Belarus in August 2020, won numerous awards, including Best Short Film at the IDFA in 2021.