"I feel like I know her, but sometimes my arms bend backwards": this is Laura Palmer's most famous line, spoken in the first scene of Twin Peaks set in The Red Room. It is also our inspiration for this film programme, which aims to investigate and reclaim a theme often coded according to patriarchal norms as the so-called "Feminine Mystique." In contrast, we propose a mysterious femininity, one that, like Laura Palmer's, seems elliptical, exerting fascination and magnetism, but which refuses to lend itself to binary or Manichean understandings. A femininity which acts disruptively on norms and gender roles, and which is in strong contact with its own agency and sexuality. Nonetheless, a femininity that cannot be explained in simple terms, that resists dichotomous interpretations, that, as they say, puts aside what belongs to her. A femininity that is conjugated in diverse and complex ways throughout the six films in this programme, directed by women and non-binary filmmakers: from the futuristic experiments of EROGENESIS, to the contact with the instinctual and the animalic in CROCODILE NEST and ARCTURUS, from the punk spirit of SOME OF YOU FUCKED EVA and the rebellion in DARIA'S NIGHT FLOWERS, to the dynastic games of LA DURMIENTE. (Flavia Dima)