National Short Film Competition

This year we’re proud to present as part of our National Competition 13 short films that couldn't be more different. It would be strange, to say the least, to claim a common, "national" aesthetic, nor would it be desirable. However, we can observe other things – for example, a fading interest in self-portraiture, in the first person, replaced by a growing interest in the bigger picture, recent history (especially Romanian communism) and radical social ideas. The general feeling of the films is one of incomprehension and anguish: historical, political, ecological, spiritual, emotional, a feeling of unease towards contemporaneity. The truth is that it has been a long year, far too long... And yet, we have never been more confident about Romanian experimental cinema than we are now – more knowledgeable about its history, more optimistic about its future, more enthusiastic about its present. As usual, our national competition predominantly comprises films by female directors (12/15), many of whom are already known to our public from previous editions. We know very well how difficult it is to make experimental films anywhere in the world, let alone in Romania – unsurprisingly, most of the films are, in fact, foreign (co-)productions: French, German, Canadian, Swiss, etc. And precisely because we know the difficulty of it all, we are delighted to repeatedly support these inspiring filmmakers in their ambitious careers. At the same time, BIEFF is about new cinema, and sometimes new cinema needs new people – this year we are meeting such new filmmakers, some of whom are recent college graduates, whose new cinema answers our calls. We warmly invite you to discover them together! (Călin Boto)

Take Me to the Water

dir. Teona Galgoțiu | Duration 7'

Fragments of memories are brought to the surface by the Blue Danube Waltz, revealing the lesser-known history of the Danube – the Black Sea Canal. While borders between filmmaker and actress become blurry, languages and layers of the past intertwine.

We Lived Slowly in Times of Peace

dir. Kristina Jacot | Duration 8'

Quiet rituals, comforts of daily life, memory flickers through grainy traces. Time quietly slips away. Peace, at times, is merely the absence of war.

Stones and Their Whispers of Old Stories

dir. David Drăgan, Noah Kohlbrenner | Duration 26'

STONES AND THEIR WHISPERS OF OLD STORIES unfolds as a dialogue between ancient stories from the Transylvanian and Valais mountains, intertwined with contemporary movement. Through the lens of dance, the environment becomes both stage and symbol, where whispers of forgotten stories are etched into the fabric of the earth.

Oedipus Redux

dir. Cosmin Nicolae | Duration 13'

In 1967, Pier Paolo Pasolini traveled to Romania in search of a primordial, archaic setting for Oedipus Rex. The director left with only a collection of music, which was used almost entirely as the soundtrack for the film that was ultimately shot in Morocco. OEDIPUS REDUX is a speculative exploration of locations that invites viewers to contemplate a "what if" within cinematic history.

In My Head

dir. Irina Tempea | Duration 6'

Through IN MY HEAD the filmmaker reflects on her multiple sclerosis by examining her own magnetic resonance images, thus sketching the movement of life that persists with the disease.

Hélène F. A (Post)mining Allegory

dir. Larisa Crunțeanu, Sonja Hornung | Duration 20'

HÉLÈNE F. A (POST)MINING ALLEGORY arose out of a confrontation with spaces affected by open pit mining in Romania, Germany, and Serbia. A disembodied voice haunts the production of landscape, pointing towards its feminization as a vehicle for scaled-up exploitation under so-called ‘green’ capitalism.

Whiteout Conditions

dir. Laura Săvuțiu | Duration 7'

WHITEOUT CONDITIONS explores the discrepancy between the fear-mongering tone of snowfall reports and the idyllic landscapes that accompany them, with the intent of documenting the mise-en-scene, the language and the choreography of Romanian media.

Our Sea

dir. Alle Dicu | Duration 20'

In a world without oceans, Linda discovers a mysterious company that offers immersive sea experiences.

Patchwork with Grandpa and Grandma

dir. Alma Buhagiar | Duration 7'

The director's grandparents, who have been together for over 60 years, recall (and re-edit) fragments of their life together. The film, originally intended as part of a video installation, captures a return to a nonlinear past, while also probing how textures and the materiality of images can be inscribed onto the cinema screen.

Light that Never Quite Returns the Same

dir. Andreea Borțun | Duration 24'

Light and natural elements, some of which are as old as the phalansteries followed here by the filmmaker, come into dialogue. Borțun narrates confessions of places and the people who inhabited them, interrogates and gives a voice to those behind these stories of social utopia.

Fracti

dir. Lavinia Petrache | Duration 6'

Humans live their routines inside an ethereal village floating in the sky. What happens when one of them causes the world to end?

I Am Also Part of the Three Turns

dir. Monica Maria Moraru | Duration 15'

Relying on oral and fragmentary histories, I AM ALSO PART OF THE THREE TURNS traces the effects of a destructive earthquake in Bucharest and a concurrent flood it caused in a small town in Buzău, during a period of nationalistic urbanization in Communist Romania.

Meniu